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VOL. 12 #25 -- Dec./ Dic. 1-14, 2006
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La Platea / La S’cena:

Two concepts, one great location

Groovin' weekend crowd at La Platea.

By Craig J. Weincek

Music lovers, who dig jazz or enjoy dancing to salsa, have been making the scene in Casco Viejo at the club La Platea for nearly a year, and word seems to be spreading to the rest of Panama City. Even though the sign outside of La Platea declares itself "a local bar," it is more than that, because, particularly on Thursday and Friday nights, La Platea swings.

Located on Calle Primera immediately across from the ruins of the old Union Club, the building with an iron railing bordering its second story, often reminds tourists of New Orleans. Inside, there’s a long amber lit bar and closely spaced tables, framed by brick arches. The best way to describe the room is intimate. Poster-sized black and white photos of John Coltrane, Dexter Gordon and Willie Colón adorn the stone walls, with a large brass saxophone hanging from the ceiling on chains. The building that La Platea occupies has a history of jazz, since before the current situation, the Take Five jazz and wine bar occupied the same location.

"I like this place," Clive Jenkins, a jazz buff and recent customer, said. "I used to come here when it was Take Five and Barbara Wilson sang regularly. It’s a bit more avant garde now."

It seems rather easy to make the scene in the Las Bóvedas neighborhood since La Platea is located immediately under La S’cena restaurant, featuring Mediterranean cuisine. Many patrons start their evening with a dinner of grouper carpaccio or a prawn salad with asparagus, followed by maybe pasta, tuna or corvina; or possibly chateaubriand and for the most adventurous steak tartar, along with a bottle of wine. Then they follow one of the owners Juan Suriol or Xavier Gasull downstairs to listen to the music.

According to Suriol, tall and friendly, who is always overseeing the room, "It’s a way to share good music with friends. The people who like jazz are the type of customer that we like."

Gascull, an enthusiastic, jovial Barcelona native with a beard, always seems to take particular delight in the performances. "You need to have high standards. We think we provide a high level of music, and that seems to bring in a high level of customers. We also plan to be a center for the Jazz Festival (held in Casco Viejo, in late January), Gascull promised.

Eduardo Crocamo V, a bass player, both acoustic and electric, is the musical director, who plays with most of the guest artists. From behind wire-rimmed glasses, with a pipe clutched in his teeth, he explains what he’s trying to accomplish at La Platea. "We want to build up a market for jazz. After most of the Americans left, jazz seemed forgotten, but I think we’re helping to bring it back, with talented musicians like Carlos Garnett, for example."

At least once a month, Carlos Garnett plays his unique style of saxophone. The veteran Garnett, who at one time played with Miles Davis, enjoys his gigs at La Platea. "This place is like an oasis in the desert, for me. It is the only jazz club in town, and the audience really seems to appreciate intellectual music, which is what jazz is."


Veteran Jazz maestro Carlos Garnett at the saxophone.
El veterano maestro del Jazz, Carlos Garnett, en el saxofón.

During a recent performance, Garnett recognized a jazz colleague sitting at a nearby table. Reggie Boyce, another popular fixture on the Panama jazz scene, said "Jazz is not big, right now, but it’s growing, slowly." Boyce, whose group plays at the Caesar Park Casino bar, on Thursdays and Fridays, noted "Carlos is an extremely talented player, who has played with Horace Silver and Art Blake, and having him perform is helping. (Note: Boyce’s group Jazz Effects appears from 7:00 to 9:30 p.m. and does not actually compete with La Platea’s music which begins around 10 p.m.)

Since the main room of La Platea is not large, amplification is kept to a minimum, meaning that the sound is clear and true and seldom too loud. Players such as Ibrahim Herel, the director of the national conservatory, on saxophone and his son Ibrahim Jr. on piano; or Juan Carlos deLeon, an unassuming but passionate pianist, and drummers like the powerful Anibal deLeon round out the roster for another Thursday night of straight ahead progressive jazz.

On Friday nights, the tiny dance floor is filled with couples of a variety of ages bouncing to the salsa beat of such groups as Andy Bush. (On Sat. Nov.18 a tribute to Andy’s dad simply known as Bush is planned.) Ladies in high heels with swirling brightly colored skirts, spin in the arms of guys in slacks and flower print shirts. Even an occasional pearl necklace or sport coat can be spotted among the stylish dancers.

Even though the volume is turned up a bit, the dance beat, backed up by the brass section is never ear-splitting, thanks to resident sound man Cesar Sanford, who considers himself "another musician" as he constantly monitors the room which is lit just enough to be comfortable without being shadowy dark. Even “los baños” are the nicest and cleanest in the old town.

One of the most popular salsa acts is Marianna, a bawdy big lady, who involves the audience in more ways than simply getting up to dance. Her flirty and funny style makes for a fun evening for the many good sports in the audience. As Alex Troetsch, who attended a recent performance, noted of Marianna, "She’s pretty wild, but I think everybody enjoyed it."

La Platea also has planned special events for the upcoming Thanksgiving and Christmas seasons. Past events included a Billy Holiday tribute and a stylish Halloween party. As promotions director Coca Morazo explained, "We want to make a difference and provide a positive cultural experience to our patrons." On Saturday evening there’s usually a piano bar, starting at around 10:30.

Open from 6 p.m., with dinner starting at 7:30 p.m. at La S’cena upstairs, the music usually begins fashionably late at around 10 p.m. and continues past midnight. For more information, call 228-4011 or www.scenaplatea.com. Valet parking and taxis waiting makes getting to and from La Platea easy. With no cover or minimum, La Platea may want to be a "local bar," but at least as far as jazz is concerned, its reach goes beyond Casco Antiguo out to all of music loving Panama City.

 
 



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